April 12 to September 13, 2017

Dr. Anne Bissonnette, Josée Chartrand, Meg Furler, Yara Sayegh and Patricia Siferd co-curators
as part of the graduate course "Material Culture and Curatorship" (HECOL 668).

Introduction Text Panel I Changing Global Bodies Text Panel I Deviant Bodies I Manifesto I Gallery Views I Press Release

How Have Past Creators Been Able to Cater to Changing Global Bodies?

Draping is another way of achieving adaptable fit. When done directly on the body, it allows the fabric to be moulded to the dimensions and silhouette of an individual. This particular technique appears in many past and present global garments such as the Indian dhoti (#10) and sari (#13).[1] Even when made of uncut fabric, these garments can provide fit. As well, they can fulfil both spiritual and practical functions by remaining whole. When draped on the body, such garments respond to the wearer’s measurements and movements. Cut cloth and construction techniques can also provide adjustable fit. Garments draped or cut on the bias (#12) expand and contract to adapt to the contours of the body without restricting it. Using the fabric this way provides better fit while allowing more freedom of motion. These design techniques and approaches enable flexible, personalized fit.

Adjustable clothing can be found in garments from a variety of cultures. Combinations of methods may be used: ties are sometimes placed on the back of Indian cholis[2] (11), which gives this article of dress a wider affordance for accommodating bodily changes. This alleviates the restrictions of its tailored structure and allows it to be worn throughout a person’s adult life.

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[1] The dhoti is a men’s garment made of fabric draped around the waist and legs. The sari is a women’s dress made from draping a five meter long piece of fabric on the whole body in a variety of styles.

[2] Choli is the Hindi term for a blouse worn with a sari or with a skirt.